This episode, much like many other plot important episodes of the first two seasons, is decent on it its own, but becomes retroactively worse due to season three’s bad writing and behind the scenes bullshit.
Summary: Matthews reveals himself as another dark spirit and disciple of Zhan Tiri, and traps Eugene, Lance and the others in unbreakable vines similar to the Great Tree's evil magic. He has Rapunzel live the perfect life while he prepares to hand over the mystical powers of the Sundrop to his master. Fortunately, Rapunzel is able to make contact with her brown-haired dream self and attempts to convince her to let go.
Timeline Alert
So what does almost a year ago mean? The Great Tree was six months out, and then in Mirror, Mirror, Lance said that they been fighting for three weeks since. So how long have then been stuck in this shell house? Because You’re Kidding Me was just the next day after Mirror, Mirror. Was Lance’s ‘three weeks’ comment meant to be after Brothers Hooks and Rapunzel: Day One and not Great Tree? Are we 7, 8, 9, or 10 months out from Secret of the Sundrop? Like be clear about your time frame guys if you’re going to use it as a plot point.
I’m going to say we are 9 months along on this trip, just cause that sounds closer to ‘almost a year ago’ without keeping them all trapped in the shell house for months. So Great Tree is 6 months, Brother’s Hook and Rapunzel Day One is 7 months, Mirror, Mirror is going on 8 months, and at the end of this episode they’ll be heading into the 9 month period...I guess. Lets just say they were trapped there for a week or two.
This Episode Only Highlights How Self Centered and Immature Rapunzel Still Is Rather Than Showcase How Much She’s Grown
The point behind this episode is show how much Rapunzel has grown since season one, and how she is accepting of responsibility now, but it actually backfires because she’s not actually being challenged on her selfish desires but on her lack of agency. Which is the wrong lesson that she needs to be learning at this point in her development.
Rapunzel in her subconscious mind doesn’t wish for what’s best for other people but what’s best for herself. People she must interact with on the regular have to be superficially happy even if it completely warps their character. While people she doesn't care about, like Lady Caine, can just be simply banished and ignored regardless if they deserve such an end or not. She doesn’t see people as people with individual thoughts and feelings, but as satellites to herself and her narrow worldview.
Also, ‘I believe everyone deserves a second chance’ my eye! Caine never gets even a first chance in Rapunzel’s own fantasy world. Because Rapunzel is a selfish hypocrite who’s ‘redemptions’ always comes with strings attached.
Here Comes the Dumbest Plot Point In the Show
I’ll talk about this more when we get to season three, but this scene is the beginning of the end for any dignity the show once held.
Also why would ‘I don’t trust anyone’ Cassandra follow a creepy voice calling her name through a doorway inside a magic house that’s tried to kill her twice now?
If you gotta make you character act out of character in order to get your plot rolling than you haven’t a good plot. Think of something else.
What’s the Point of Having Two Names?
They did this both with Sugarbee and Matthews here and it makes zero sense. Why would they need to bother with fake names if the heroes wouldn’t even recognize their real names to begin with? Such revelations add nothing and fails to tell the audience anything new about the characters. It’s also not consistent as it turns out Gothel was a disciple too and she only gets one name, so what gives?
So How Does This All Work Again?
So Zhan Tiri needs ‘a clash of the sundrop and moonstone’ in order to be freed from her prison. Why? I don’t know, but holding Rapunzel prisoner for life actually undermines that plan, and it’s a plan that Zhan Tiri is currently setting up with Cassandra off screen during all of this.
- So does Tromus/Matthews just not know that Zhan Tiri is already ‘free’ and has her own plans?
- Is Rapunzel’s power being drained what gives Zhan Tiri a foothold in the real world?
- Or was Zhan Tiri released back in the Great Tree with the removal of the spear and that’s why she knows to go after Cass?
- What was up with the Great Tree and the sealed tree back in Painter’s Block? Did they have any impact on Zhan Tiri’s plans?
- Were any of the disciples actually useful at all?
So What Do the Disciples Gain From All This?
Sugarbee, Matthews, and Gothel were all once real people who actually lived so what are their reasons for following Zhan Tiri? What do they gain from going through such complicated plans? Why continue to follow someone after you’ve been dead for centuries and are a ghost now, and were presumably trapped and or killed by Demantius for following her? Real people don’t just hold on to such fanatical devotion without reason.
This Conflict Over Choices Does Not Work Without Varian
Going back to how this episode fails to develop Rapunzel; it wants to have Rapunzel take responsibility for difficult choices, but much like Painters Block, it completely ignores her biggest fuck up thereby undermining why she has trouble with owning up to hard choices.
Rapunzel ruined a child’s life. She may not have meant to but she did, and thus far she has done nothing to make amends for it. She’s not even spared the poor boy a single thought beyond seeing him as the boogeyman in a nightmare once.
You can’t have Rapunzel take responsibility for anything if you won’t hold her accountable for anything.
Varian was meant to appear in this episode, and indeed he should have for the above reason.
But of course Chris had to give us a bullshit excuse for why he cut the most plot important character from the series.
I’ve already spoken about how Varian’s cameo in Happiness Is did nothing to actually further develop Rapunzel nor explore her guilt back in that review. In this episode, however, I want to discuss how hollow the comparisons to Gothel is and why there shouldn’t logically have been any competition between the two.
Varian and Gothel provide two completely different conflicts and two completely different points of development for Rapunzel’s arc. Gothel is the instigator of her conflict with Rapunzel. Rapunzel, as the victim, has only one thing to learn, self esteem. She learned it back in the movie, she relearned it back in the season one, and here she’s re-contextualizing it for this episode’s mini-arc.
Meanwhile Rapunzel is the instigator of her conflict with Varian. She’s the one with the power in their relationship and her choices matter. She doesn’t need to learn agency because she already has it. What she needs to learn is responsibility and she can’t do that without confronting Varian and what she did in some manner. So unlike with Gothel there only new ground to cover here rather than rehashing old conflicts.
Chris Sonnenburg has things all backwards. Rapunzel’s agency/self-esteem issues and her need to take responsibility for her actions are not interchangeable conflicts. Addressing one does not automatically address the other, and of the two her conflict with responsibility holds more weight because it’s ongoing. We haven’t seen the resolvement there. It also affects more people than just herself so the stakes are higher there as well. And to top it all off, it fits with the themes of the episode better.
Also, you very much could have had both characters because they both reflect different conflicts and serve different purposes in the narrative. Time management in television is a very big deal yes, but you have little grounds for defense when all you’ve shown is how poorly you’ve managed your time until now.
In short, Chris is full of shit.
No, It Wouldn’t
We’ve already established that there’s no need for Rapunzel to go on her quest in season two. The black rocks are inactive, there’s no ticking clock she has to beat, and her staying at home would have actually prevented the conflicts in season three.
Unless dream Rapunzel is referring to Zhan Tiri being released, but even that is false because Zhan Tiri is already floating around a little blue ghost girl off screen right now. What Rapunzel choses or chooses not to do does not change that.
Lack of external conflict undermines internal conflict.
Just Cause You Make A Meta Joke About Your Heroes Being Dumb For No Reason, Does Not Make Them Any Less Stupid
Jokingly admitting a fault in your writing doesn’t not excuse that fault. If you can’t have a plot without handing the idiot ball to your characters than you haven’t a good plot. Time to go back to drawing board.
Season Three Will Go Back On This Episode’s Message and Prove the Villian Right
I’ve liget seen fans unironically praise the show for it’s message of ‘be content with what you have’. Not only is that a terrible lesson to teach children; it’s actually the exact opposite of what the show is trying to achieve.
“Be satisfied” is suppose to be the wrong motto. Rapunzel is suppose to be fighting against this message. In the episode itself it’s the villian who is saying such things in order to tempt her to stay put.
So how could anyone look at the show as a whole and come away with idea that the one off villain was right along?
Because season three does a complete 180 away from its original messages regarding agency and responsibility. All consequences disappear from the story and the mains are given convenient scapegoats to distract from their decisions. Characters actively regress and are rewarded by the narrative for either not doing anything or for victim blaming others for their actions.
But most damaging of all is the fact that nearly everyone winds up back where they started out at, or aren’t given a proper ending at all. Tangled’s story is just one giant circle and that in of itself contradicts the idea of progress.
Cassandra’s Hurt Hand Is Only Relevant When The Story Wants Rapunzel to Feel Guilty About Something
Oh but we can just throw Cassandra’s burnt hand in here as a substitute Rapunzel’s guilt over Varian. Even though the two incidents should actually complement one another rather than compete for dominance.
Tangled doesn’t trust its audience to remember things. It acts like if it’s off screen or not being focused upon than it’s not happening or isn’t relevant. This undermines any ongoing or overarching conflicts.
Why should we care about Cassandra’s arm if she’s been shown as being fine with it for four episodes by now? Especially since it’ll never come up again after this point? And on the flip side of things, why should the audience not care about the 15 year old who has been sitting in a dungeon for almost a year now due to Rapunzel’s neglect?
We’re not magpies who are quickly distracted by shiny new things. We are capable of retaining information and informing decisions based off of that. Especially if Chris was shooting for the teen audience as he claims he was.
Oh But We Got Time For Godzilla-Pascal
Can’t spare even half a minute for a Varian cameo that would be relevant, but we sure got time to waste on a pointless action sequence that does nothing to further the character in what is meant to be a character development episode.
This Scene Is Out of Character
That’s not how abuse works!
The whole reason why Gothel was able to keep Rapunzel under her thumb for 18 years because Rapunzel always sought her approval. Never at any point, even when finally choosing to break away from her in the movie, did Rapunzel wish to harm the woman. That goes against who she is as a character and it’s not how abuse victims respond to abusers even after cutting things off with them.
If anything, Rapunzel’s treatment of Frederic in Happiness Is is more in line with how a victim goes about mourning the loss of an abusive relationship. Victims grieve for what might have been. Victims mourn the loss of what good times they had with their abusers, because yes, abusers aren’t abusive 100% of the time 24/7. They can’t be or they risk losing their victim quicker.
I initially was ok with flashbacks to Gothel on occasion because no victim ever makes a completely clean break from their abuser. Even ‘moving on’ isn’t some triumphant singular action when you stand tall while you knock your opponent down in a wish fulfilment fantasy.
No. ‘Moving on’ is slow. It’s understated. It’s routine. It’s about being able to do the dishes without getting triggered. It’s sitting at lunch with friends and being happy and calm without the fear of returning home hanging over your head. It’s not skipping out on work because your anxiety is through the roof over just meeting with your boss. It’s not devolving into a yelling match over something minor because you internalize your abusers behavior.
Abuse victims don’t celebrate violence as strength. We celebrate being an unmovable mountain of clam fortitude. Being in control even as the world rages at us, because we’re self assured.
The fact that this scene exists, while Happiness Is shows Rapunzel behaving the opposite way to the father who abused her the same as Gothel did, only proves that a man shouldn’t have been in charge of this show. Certainly not without a woman by his side giving equal input.
Stop Using Destiny as a Shorthand for Everything!
Destiny isn’t a catch all word that can mean whatever you want it to. Words have definitions for a reason. Destiny isn’t a goal nor does it equate to agency and responsibility; kind of the opposite in fact.
Well That Was Redundant
All we did was rehash Rapunzel’s season one arc in under half in hour. Nothing new was learned. It’s like writers don’t know how to resolve any conflict that isn’t a repeat of the first movie. Meanwhile actual unique conflicts are just sitting off to the side being ignored. All because the show’s creator doesn’t want to hold his precious self insert accountable for anything.
Bye Bye Smart Cass, Hello Dumb Cass
So from this point onward the Cass we’ve known for nearly two seasons is gone. She’s just been replaced by the dumbest bitch on the planet. Because the writers don’t understand how manipulation and trauma actually works. Nor do they comprehend the importance of giving characters actual goals.
Conclusion
Season three is what retroactively spoils this episode. Cass’s dumb decision here, Zhan Tiri’s lack of a coherent plan, the uselessness of the disciples, and even the lack of Varian could have been glossed over had they writers given us a satisfying pay offs for any of the main conflicts. But they didn’t and so here we are.
Also a small update, but after this review and starting next week, the Salt Marathon will go from bi weekly updates to only one a week. This is a combination of real life work getting in the way and the growing length of the reviews. This means we’ll hopefully be done come March, which would mark the show’s anniversary. I got some plans to celebrate if that works out.
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